Welcome to the Torture Chamber

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By Ed Staskus

“There’s gotta be a Heaven ’cause I’ve already done my time in Hell.”  Social Distortion

Bikram Yoga was not entirely a black hole when I stepped across the threshold into my first class, but I was still surprised by the Wal-Mart-like brightness of the big room, the seven-foot high mirrors spanning the front, and the wall-to-wall water-stained brown carpeted floor.

None of it looked or felt or smelled like any of the yoga studios I had ever been to.

As I made my way past a sea of unfamiliar faces to the back of the room, unrolled my mat, and curled into several cat cows, I noticed it was infernally hot. Looking up at the ceiling I saw manhole-size ductwork perforated with thousands of pebble-sized holes crossing from one end of the front of the room to the other and continuing on to the rear wall. Heat pulsed rhythmically over the back of my neck, arms, and legs.

Later I discovered that an Infinity Plus high-efficiency furnace generated the heat while a hellish three-phase 220-volt steam humidifier vaporized water and fast-tracked it into the room through the small holes in the ductwork.

By the time I had finished a short round of warm-up down dogs I was sweating through my Under Armour shirt and decided it was best to settle into child’s pose. The class had not even started, yet, and I was already taking a break. Most of the people on their mats were laying prone, eyes shut. I began to understand why.

When I started practicing yoga, well into middle age, I spent two years getting my feet wet at once-a-week beginner classes, then moved on to slow flow classes on a more consistent basis, and finally gravitated to “Hot Powerful Flow” three times a week at a popular studio just across the river from our neighborhood.

It took some time and effort to acclimate myself to the 90 degrees the hot yoga studio advocated, and the fast pace of the classes, but after a year I was reasonably accustomed to it, even with the alarming disappearance of cartilage in my left hip and never-ending arthritis in my lower back. Now I was more than thirty miles from home, the closest Bikram class I could find, and it felt like I had stepped into the middle of a Louisiana summer strangling in the grip of global warming.

The Bikram regimen claims to change the construction of the body from the inside out, from tip to toe, from internal organ to skin, using heat as a tool, reshaping the body as it warms and becomes flexible. Its professed aim is to restore the life to the lives of its adherents.

“What is the worth of one human life? It’s priceless,” says Bikram Choudhury. “I give that life to people. I fix the human chassis.”

The community-class teacher at the yoga studio where I practiced sun salutations, warrior poses, and headstands described it as ‘therapeutic’ and recommended I try it.

“I don’t practice it myself,” she said, “and I have problems with Bikram the man, but it might be good for you.”

“OK,” I said.

I should have asked for details.

Back in the class while in my child’s pose it was 105 degrees and the humidity was at 40 percent, but both values were creeping relentlessly upward, pushing the heat index of the room into the 130-plus zone. Heat index is a measure of how hot really hot weather feels. The scale correlates relative humidity and air temperature to produce the apparent temperature the body experiences. A heat index of 130 is the point at which human beings become susceptible to heat cramps and heat exhaustion as a result of physical activity.

Why 105 degrees?  The Bikram take on hot yoga is that the room needs to be at 105 degrees and 40% to 50% humidity to make for a better aerobic experience, protect muscles while allowing for deep stretching, detox the glands and organs by flushing waste products, and through enhanced respiration deliver nourishment to every cell of the body.

Bikram Choudhury, who in the 1970s popularized the series of 26 asanas or poses and breathing exercises synthesized from traditional exercise yoga, claims that contrary to popular misconceptions the blistering heat he recommends keeps the body from overheating, and teaches you to keep your cool.

He and his legions believe they can work bodies like a blacksmith.

When our instructor, a trim wide-shouldered young man carrying a clear plastic half-gallon jug of water walked in, he adjusted the track lighting brighter even than it had been, strode to the front of the class, and asked:

“Anybody new?”

Several hands went up, including mine.

“Make sure you can see yourselves in the mirror. Move your mats if you have to. If you feel sick take a knee or lay down. Don’t leave the room. Watch the first few breaths and then join in. Set your intention.”

‘Feel sick’?

I had never gotten sick in a yoga class, nor had I ever given the possibility any consideration. I had experienced fatigue practicing asanas, sometimes even becoming bedraggled, during vinyasa classes on summer afternoons when I didn’t think I could do another chaturanga to up dog to down dog, but it was more on the order of boot camp crash. I discovered it is not unusual to feel sick and nauseous in Bikram classes, especially among beginners.

“The worse you feel,” says Bikram Choudhury, “the more you need my yoga.”

Then there was the other exhortation.

‘Don’t leave the room’?

What did that mean? Why would leaving the room be an issue? Should I be planning an exit strategy?

“OK, let’s get started.”

And just like that we were all standing and the class began. There was no opening homily, or reading from an appropriate text, whether sacred or new age, nor was there an iPod play list in evidence. Among other things, Bikram Yoga eschews tunes. The beat goes on, but it’s not the beat of MC Yogi.

I might as well strike while the iron is hot, I thought. One of the mantras of yoga is to live in the moment, and the expanded mantra of yoga like the Boy Scout motto is to expect the unexpected.  Even though I thought I knew by way of youtube what was on the agenda, Bikram Yoga surprised me from the outset.

Along with everyone else now on their feet I got going, my hands clasped underneath my chin, breathing in deeply as I pulled my elbows up, and breathing out forcefully as I brought my forearms together, keeping my spine straight and pushing my chin and head back. After the first round I wondered if my neck was going to hurt the next day, since this breathing exercise wasn’t something I had done before. After the second round I was sure there would be repercussions.

The next day my neck was sore. And that was only the tip of the iceberg.

“Try to be still between poses,” the instructor said when we were done.

I stopped rolling my head and flexing my fingers.

Bikram Yoga claims to work every muscle, tendon, joint, internal organ, and gland, if not every nerve ending. It also claims to detoxify the body through the legendary amounts of sweat released during the practice, while systematically refreshing the body with oxygenated blood. The poses are held for up to 60 seconds, creating a tourniquet effect on some or several parts of the body.

During vasoconstriction the blood supply is cut off so creating pressure. Upon release of the pose vasodilation occurs when blood rushes back into the veins and arteries flushing out toxins and bracing the body.

The idea that there might be benefits to oxygenated blood flooding a local part of the body after it has been momentarily compressed is controversial in the medical establishment. Bikram Choudhury is unperturbed by the naysayers.

”It is beyond medical science. I prove this every single day,” he says.

The second posture was a prolonged sideways bend – punctuated by repeated commands to push, push, push – followed by a backbend with clasped hands and up-stretched arms, and finally followed by grabbing under our heels, straightening our legs, and folding over in a forward bend.

“Look like a Japanese ham sandwich,” the instructor said, describing the pose.

I had no idea what a Japanese ham sandwich looked like, and besides, I was vegetarian.

While we were bent over, pulling with our arms to intensify the stretch, the teacher exhorted us to lock our knees.

“Lock the knee, lock the knee, lock the knee!”

Lock the knee?

Whenever I had heard any other yoga teacher say anything about locking your knees, it was to make sure we did not do it.. Anytime I had read something about it, such as the advice of Drs. Georg Feuerstein and Larry Payne, authors of Yoga for Dummies, it was to avoid locking your knees as you tried to keep your legs straight in standing poses.

As I straightened my legs, attempting to fully extend my knees, the instructor who had been at the front of the class suddenly swooped down next to me, and pointing at my legs with his riding crop – I mean his finger – said:

“Tighten the quad muscle and pull the kneecap up.”

What he meant was to squeeze the front thigh muscle so that the kneecap would lift up, but not hyperextend the knee. Squeezing holds the knee in a supportive position. The emphasis was on protecting the knee, focusing on placement of the feet, knees aligned over ankles, and stressing the muscle and not just the joint with the full load of the body.

The next asana was awkward pose, more commonly called chair pose, done three different ways, first traditionally but with arms held up, forward and parallel to the ground, ‘triceps tight, tight, tight’, then high up on the toes, arms still forward but flagging, and lastly slightly up on the toes and in a squat, knees and thighs pressing together, and arms finally very, very heavy and on fire.

“Fall back, way back, go back, more back,” our instructor said, demanding that we straighten and lean back.

As soon as we were done we did it again.

Bikram poses are performed twice. The first time the pose is held forever and the second time they are held for slightly less than forever. Entering every second set the instructor encouraged us to immediately go to where we had left off in the first set so as to gain the maximum benefit.

The awkward poses were followed by two sets of eagle pose, another balancing act, followed by the official water break. Those in the know reached for their insulated water bottles while I stared at myself in the mirror, dazed.

“Welcome to the torture chamber,” I heard the instructor say.

“What have I gotten into,” I asked myself.

“Break time is over. Time to concentrate,” the instructor said.

Break time had lasted less than thirty seconds.

The 26 poses begin and end with breathing exercises, and the 90-minute class progresses from standing postures to backbends to forward bends and twists. The first half of the class is practiced upright, many of the poses featuring balancing on one leg, and the second half down on the mat. The first half of the class is known as the warm-up and the second half as getting down to serious business.

The next three poses were standing head-to-knee, standing bow, and balancing stick. All the while the instructor urged us to lock our standing leg like CONCRETE! Try as I might I wasn’t able to get my head anywhere near my knee, my bow pose amounted to trying to stay upright at whatever cost more than anything else, and by the time I got to balancing stick there was very little balance left in me, my legs wobbling like JELLY!

At the end of the three postures I was sweating like Shaquille O’Neal at the foul line, my breath sounded more like the snorting of Godzilla than the measure of a yogi, and most worryingly the warm-up half of the class was not over, yet.

“It takes courage and intelligence to do the stages of yoga right, and to start with this hatha yoga,” says Bikram Choudhury. “It’s just you and nothing but you, standing in one spot frozen like a statue with no place to go for help or excuse or scapegoat except inward.”

After a standing stretching pose, during which I finally caught my breath and my heartbeat slowed to thrash metal speed, we stepped into triangle pose. It was like stepping into the next circle of hell.

“It’s the most difficult posture we do in the sequence,” says Bikram Choudhury.

The Bikram variation of the pose is a blend of traditional triangle and extended side angle, but without the pleasures of bending the torso sideways or resting the forearm on the thigh of the lunged front leg. It is the ninth pose in the sequence, and is what I later described to my wife as the Love Potion Number 9 pose.

‘It smelled like turpentine/It looked like Indian ink/I held my nose, I closed my eyes/I took a drink.’

With my eyes wide open, front leg bent, back leg diagonal, both arms extended out, tilting them at the same time like a windmill turning, I reached down with one arm while simultaneously reaching up with the other. Our instructor said to turn our heads and look up, trying to touch our chins to shoulder. I stared at a brown water stain on the white ceiling tile.

“Don’t forget to breathe,” the instructor said.

The ‘I think’ of the western world is the ‘I breathe’ of yoga.

The pose was hell on my hips, but it was an epiphany at the same time. This is what Bikram is all about, I thought. It was the therapeutic torture machine come to life. With the effort my breathing slowed down, becoming less labored, and time stretched out like taffy. I felt like I wasn’t just in the moment, but in an unending minute.

If God is the tangential point between zero and infinity, and if yoga is about connecting with the divine, as we repeated the triangle pose on both sides another time I began to either see the light at the end of the tunnel or got light-headed from the effort, but before the white light became too intense we were doing a standing compression pose, then another balancing pose, and finally we went down onto our mats for two minutes of R & R.

We lay on the floor at the fulcrum of the standing series and spine strengthening series, the room suddenly grown quiet. Savasana, also known as corpse or dead body pose, is considered the most important posture in the series. It is designed to focus the mind and breathe new life into the body by maintaining total stillness

The two minutes on my back were more like try-to-stop-fidgeting pose. I was unnerved and restless. No sooner had I finally taken a reasonably real life breath and grown still than the instructor was at it again.

“Time for the sit-up,” he said.

The Bikram L-sit-up is performed after every floor pose, starting flat on the back, flexing the toes, bringing both arms overhead, crossing the thumbs, sucking in a lungful of air, and double exhaling, once on the sit-up, reaching for the sky, and a second time reaching for the toes, bending elbows to the ground.

“Try your best,” the instructor said. “Bend your knees if you have to.”

“99% right,” Bikram Choudhury says, “is still 100% wrong.”

As much as our instructor was pressing us to work hard, it would be a vast understatement to say that I would not want to practice under the tutelage of the boss himself.

The spine-strengthening series starts with Pavanamuktasana, a follow-the-bouncing-ball Sanskrit word meaning wind-removing pose, and each posture done twice ends in dead body pose for about 20 seconds, concluding by stretching the arms and on a loud exhale reaching for the ceiling and then the toes.

We did the L-sit-up after every pose in the series, so that after awhile it was like suffering from amnesia and déjà vu at the same time. Pose, corpse, sit-up, pose, corpse, sit-up…

The meat and potatoes of the floor sequence are the next four poses: cobra, locust, full locust, and bow. Each of them works a specific part of the back: lower, middle, and upper. Overall the series is designed to open, compress, flush, strengthen, and heal the spine from top to bottom.

But, it’s no four-course meal.

“Look out of the mirror, see the back wall,” the instructor optimistically urged us during cobra, insisting we pull our elbows backwards and down, keeping them close to the body as we pressed into the floor with our hips and feet, tried to lift our knees, and pushed forward with the chest, looking up, up, and over.

“If I see any elbows I might have to kick them,” he cautioned everyone during locust pose, striding through the ranks.

The ingredients of the following pose, full locust, are made up of squeezing the legs and feet together, spread-eagling ones arms, and then raising arms, legs, and torso upwards, so that only the hips are contacting the ground.

“Up, up, up like a 747, fly like an F16,” the instructor said. “Look up out of the mirror.”

I didn’t feel like an F-16. I felt like a slow, shaky, rusty biplane with Baron Manfred von Richthofen swooping down on me. I could hear the thunder of his twin synchronized 8mm Spandau machine guns, smoke was pouring out of my tail, I was going down…

“I have got to take a break,” I thought.

And then God did me a favor.

As the class went to the pose again, and I thought about resting on my heels to cool off, the power suddenly cut out, the room went dark, a pair of emergency floodlights blinked on, and there was a low clap of thunder outside. I sat back seiza style, breathed deliberately in and out for the duration, and thanked my lucky charms.

While in dead body pose after the asana the power came back on, and we swept into bow pose, although my version was more like crossbow pose, and then it was on to the menagerie of alternate back and forward bends: fixed firm, half-tortoise, camel, and rabbit.

In half-tortoise, trying to keep my butt on my heels and stretching my arms forward, pressing my pinkies into the mat, sweat fauceted in a steady stream from my chin and through my shirt from the middle of me, forming a spreading Rorschach blot beneath my nose.

“Make sure to breath, surrender to the pose,” the instructor said. “You can either go upstream or downstream with this yoga.”

I was in a whirlpool of hot weather, a low-pressure vortex of heat and humidity stalled just above me in my corner of the room, the air stagnant and heavy.

By the time we got to camel I was beginning to wonder if there was any end in sight. Were there really just 26 poses? Or were there really pi poses, and the instructor had forgotten to tell us we were going to be in the hot room forever? Was the 90 minutes just a mirage on the horizon?

The original Bikran practice had 84 poses in its entirety, and required more than two hours of determined hustle and bustle to get through. It is now the advanced series, rarely seen, and the popular practice culled from it is known as the beginner series. All the poses in the beginner series, which is considered the healing practice, come from the original classical postures.

Unlike many other styles of yoga, almost anyone coming to Bikram Yoga from the rat race can do the beginner series in some fashion, but at the same time it also attracts athletes, even professional athletes, who along with everyone else practice the same poses in the same order under the same conditions. The series is designed to work in proportion to the effort and sincerity one puts into it.

“Never too late, never too old, never too bad, never too sick to start from scratch once again,” says Bikram Choudhury

When we curled into rabbit pose, a kneeling forward bend accomplished by pulling on the heels, my forehead tucked into my kneecaps, pushing down with my shins and up with my legs, I became aware of a malodorous smell. It was coming from my rubber Jade mat soaked to its core from the epic amounts of sweat pouring out of me, but it was me, too. I was radiating stifling waves of heat and body odor.

I was dizzy and slightly nauseous lifting up out of the pose.

We practiced three leg stretches, twice, then a spinal twist, and after a last sit-up it was all very suddenly over. The instructor congratulated the first-timers, and the class concluded with everyone sitting back on their heels for blowing-in-firm pose. Bikram Yoga begins with a breathing exercise and finishes by bringing the focus back to the breath, although the beginning focuses on filling the lungs and the ending on strong exhales.

If sweating is the Bikram method to regenerate the body on a cellular level, breathing is the Bikram key to a healthier, longer life. Other than the pranayama exercises, during the practice it is repeatedly stressed to breath as normally as possible, so that the breath is neither controlling the practitioner nor the practitioner controlling the breath.

Easier said than done, I thought, recalling the huffing and puffing I had done all class long.

The first set of exhales we did was at a measured pace, like blowing out sixty birthday candles one at a time, but the second set was done at ramming speed. It was like the movie Ben-Hur, during the sea battle, when the galley captain commands the slaves to row their fastest, and when he does the galley drummer increases the tempo.

The instructor kept us in sync by clapping rapidly.

Bikram Choudhury describes the last breathing exercise as the “final flush of the toilet,” releasing the last of the toxins from the lungs.

When we were done and I was completely out of breath and toxins the class was finally beyond any doubt over.

“Good job, everyone,” the instructor said. “Please try to stay in Savasana for a few minutes. It’s the most important pose. Thanks for coming.”

And with that he dimmed the lights and left the hot room.

Traditionally, for every hour of hatha practice one is expected to spend a minimum of five minutes in dead body pose. That turned out to not be a problem. I was the second-to-last person to roll up my sodden mat and stumble out of the Bikram hot room.

Postscript: From Here to Eternity

Six months later I remember my first class like I would remember escaping from a burning building. Imagination is often mistaken for memory, but there is no mistaking the memory of plunging into the hellfire of Bikram Yoga.

In the beginning I could only bear to practice it once a week, otherwise continuing to attend vinyasa classes. After several months I was able to endure the steamroller twice a week, and recently I have upped the ante to three times a week. The heat and humidity are still a challenge, and probably always will be, but I have learned to start hydrating the minute I wake up two days before class.

I maintain a daily personal practice, a basic slow flow yin smorgasbord with a bit of meditation mixed in, but six months later the only yoga exercise I engage in outside of my home, squeezing and pulling and flexing, is in the hot room.

Three times a week I drive forty minutes to get to the 90-minute class, stayed by neither rain nor snow nor darkness, although snarled traffic is always a threat. I sing in the car along with the Searchers on the radio, changing the lyrics to mirror the method.

‘I took my troubles down to Bikram crew/You know that guru with the gold-capped tooth/He’s got a pad down on Hollywood and Vine/Sellin’ little bottles of Love Potion Number Nine.’

My made-for-vinyasa rubber mat has been put away and I have gotten a basic black one as well as a fancy Manduka towel. The beach-size terry absorbs bucketfuls of sweat and keeps my mat and immediate surroundings free of saltwater pools infested by bacteria. I never wear a non-synthetic shirt, always making sure it is sleeveless, and sometimes even peel it off when the room is abnormally humid because of the Lake Erie weather.

I no longer try to snag a spot near one of the doors at the beginning of class, hoping that the instructor will crack them open for a few seconds at some point to improve the ratio of students actually practicing to those catching their breath or otherwise completely gassed out on their mats.

I don’t think I will ever be able, however, to graduate to the Speedo suit favored and recommended by Bikram Choudhury. The image of my Eastern European body clad only in a Speedo staring back at me from the mirror is both daunting and disturbing. It is a sacrifice I am unwilling to make.

After every class I drag my gym bag gobbed full of wet smelly clothes and towels home, heave it all into the washing machine, and later hang it up to dry. It has become a routine, like the poses, but the poses are different, because no matter that it’s always punch the time clock and get to work all over again. Even though every class is the same, no class is ever the same. They are never easy, but that is all they have in common.

I have lived through six months of the practice, and even survived a fire alarm. We were in one of the balancing poses, the instructor reminding us to meditate in the mirror as I vainly tried to will myself from toppling over, when the wall alarms began to clang throughout the yoga studio.

“Don’t worry, stay in the class,” the instructor quickly interjected. “We have a very capable fire department. If we need to leave the building they will let us know.”

When the firemen in their heavy coats poked their heads into the hot room they peered curiously in all directions, gave us a thumbs up, one of them said all was ok, and just as promptly as they had come they backed out and closed the door. It was a false alarm. I could have used a good long squirt from their hoses, but I doubt our instructor would have approved.

It was a compelling testament that we all stayed put. I wondered what it was a testament to, and later thought it was testament to everything the practice espouses, such as patience and discipline and concentration.

Besides, the boss insists everyone must stay in the room, notwithstanding that we have all come to the hot yoga class of our own free will.

I have learned to accept the horrible inescapable challenge of the heat exactly because I don’t like it, nor am I congenitally suited to stand it, and because six months later I have begun to sense the therapy in the design of the practice. I go and once there I try to do the best I can, as much as I can, with as close to 100% effort as I can, and no cheating, or as little as possible. I still can’t get my other leg wrapped around and off the floor in eagle pose.

“Try the right way and eventually you will make it,” says Bikram Choudhury.

“You have nothing to lose. You had nothing to begin with. Just get in the hot room and kill yourself! You will understand the benefits for yourself!”

After class the instructor mingles, talks shop, and lastly mops up the hot room and the outside hallways of sweaty footprints tracked back and forth from the shower rooms. One night I bumped into him manipulating his Swifter Wet Jet forward and backward, cleaning up.

I had at first planned on taking a few classes now-and–then, then maybe a few months of it, then had decided to commit to it for year, just to be fair, and finally had concluded it would most likely be two years, given that I was a slow learner. The devil in Bikram is in the details, not just the effort.

One of the goals of Bikram Yoga is the 30-day challenge: 30 classes in 30 days. I have managed classes on consecutive days on several occasions. I am not brave enough to imagine three or four in a row, yet, much less an endless month of them.

“I know this class is good for me,” a woman lean like a runner, rolling up her mat next to me, said one night. “But, I would rather run twelve miles in the middle of the day in the middle of summer than do this.”

“This blarney of Bikram’s better work.” I said as the instructor finished mopping up that night’s trail of blood, toil, and tears. It had been an especially grueling class.

“Don’t try so hard,” he said.

“The class is a 90-minute open-eyed guided meditation, not just a sequence of asanas in a hot room. It works, you’ll see, but it’s not really about the exercise. It’s hatha yoga, sure, but about breathing and meditation even more than that.”

Meditation?

Bikram Yoga is considered by legions as an excellent system of physical exercise, and in the same breath often condemned because yoga is not just a system of physical exercise. The persistent Bikram emphasis on bodily fitness is seen as obviating the other arms of yoga, especially the mindful and spiritual aspects of the practice.  Bikram Choudhury has even been accused of being materialistic and spiritually bankrupt.

But, at the core of the Bikram practice is prolonged concentration, focusing into and through the mirror, controlling the mind so that it is committed only to the asana and nothing else, and breathing to connect the body and mind, with patience and faith. It is hatha yoga as the yellow brick road to get to raja yoga and all the rest of it. There is no overt meditation, but the practice itself is fundamentally and ultimately meditative.

That is the method to the madness.

“I teach spirituality. I use the body as a medium,” says Bikran Choudhury. “I use the body to control your mind, to make your spirit happy. I wish that every human being should do yoga.”

It is the body, the mind, and the spirit yoked together – the yoga gravy train sans the trimmings.

It is old-school yoga practice in the hot room. Thank God, I thought while driving home, bolstered back into the seat cushion of the driver’s seat and finishing off a quart of water as I got onto the highway, I don’t have to go back until the day after tomorrow.

A version of this story appeared in Elephant Journal.

Ed Staskus posts feature stories on Red Island http://www.redislandpei.com, Paperback Yoga http://www.paperbackyoga.com, Lithuanian Journal http://www.lithuanianjournal.com, and State Route Two http://www.stateroutetwo.com. Click “Follow” on a site to get its monthly feature in your in-box.

 

 

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Lighting Up the Lotus

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By Ed Staskus

It is a long way from missing your husband building boats in faraway Maine to mid-morning epiphanies in Cleveland’s Little Italy neighborhood. It is even farther from the subarctic snow banks of Fairbanks to transforming an empty Lakewood, Ohio, storefront into a new yoga studio, but that is the path Marcia Camino took in creating Pink Lotus.

A Chicago native, the erstwhile on-the-road studio owner grew up in Texas, Indiana, New York, and finally Toledo, Ohio, where her steel-working family settled down. While attending Bowling Green University near her new hometown, she declared a major in English and the next year transferred to the University of Alaska in Fairbanks, where she earned a Master of Fine Arts.

She told her parents she wanted to be a writer, a poet.

“But, honey,” she remembers her mother saying. “Poets don’t make any money.” They work at naming the unnameable. Even when they get it exactly right it’s not exactly a high paying profession.

After graduation she stayed in Alaska, writing, waiting tables, writing some more, and backpacking the state’s national parks.

“It was very beautiful up there,” she said.

But, despite the majestic geography and lofty scale she was far from home. She went back to the Lower 48.

Back in Bowling Green she worked in modern dance and theater, met her future husband in 1992, and four years later moved to Cleveland. Planning their wedding in 1999 Mrs. Camino surveyed herself in her dress in the mirror.

“Like every young lady I needed to fit into my dress,” she said. “I heard yoga was good for that, so I bought a mat and a video tape.”

She practiced every day for six weeks and on the morning of her wedding successfully squeezed into her dress. Afterwards she rolled up her mat and put it away in a back closet.

“I was happily married, writing, taking art classes, working full-time at Case Western University, everything was fine, no yoga,” Marcia said. “And then my husband went away to Kennebunkport to get certified in wooden boat building. He was gone for a year. I was left to my own means. Not a good idea.”

She resorted to dreaming about her husband, working long hours at work, enrolling in photography and film classes at night, ballet on weekends, shooting a 16 mm black-and-white movie in her spare time, and soon enough began to burn out.

“I was eating Pringles for breakfast and lunch,” she said. “I got really super thin and sick. I was a madwoman.”

One May morning in front of her TV in their apartment in historic Little Italy she dusted off her yoga mat, unrolling it and starting to practice again.

As she practiced what she still thought of as “all that yoga stuff’” in her living room she one day experienced a shift in perspective, physically and spiritually.

“I realized I had been living externally, trying to capture out there, and I was missing in here,” she said, pointing to the middle of herself,  “I missed my husband, and I missed my own soul. I just lost it. I remember lying on my mat in child’s pose. It was saturated, not with sweat, but with tears.”

Tears are messengers and sweat leads to change. Salt water can be the cure for everything. The first change Marcia made was to keep her mat in the open, out of the closet.

“Unburden yourself so much that you can pass from moment, to moment, to moment,” says Amrit Desai, who designed the style of yoga Marcia Camino was practicing, a style described as more than a physical discipline, but a process of consciousness liberation, as well.

One day on her mat led to every day on her mat, and eventually in 2004 to training at the Amrit Yoga Institute in Florida. She earned her 200-hour certification, going on to study with such nationally recognized master teachers as Paul Grilley, Rodney Yee, and Shakta Kaua Khalsa.

The practice of Amrit Yoga, Marcia Camino’s home base as a teacher and student, is sometimes referred to as the posture of awareness. It consists of several breathing exercises, twenty-six classic yoga postures, meditation between poses, and deep relaxation.

In 2005 she re-located to the west side of Cleveland, buying a house in suburban Lakewood with her husband Joe, who was back working on Lake Erie water craft, and began teaching yoga part-time at studios, colleges, and fitness centers.

After five years of free-lance Have Mat Will Travel, eventually earning Yoga Alliance EYRT status as a teacher, she began to scour Lakewood for a studio of her own.

“Deep down I was always spying for places, to create a space reflective of my personality, esthetics, and yoga philosophy,” said Marcia.

When she found the space she wanted she made the leap and gave up the security of her 9-to-5 job at the university and signed a lease in the West End neighborhood of Lakewood.

“Communicate to the world what you love most,” says Amrit Desai. “ Let go of your fear.”

“It’s a lovely part of town,” said Marcia. “There are churches on either side of the street, and we’re in a 1911 Tudor-style building. It’s only a mile-and-a-half from my house, rather than the thirty miles I used to have to drive.”

While many cities lack even one yoga studio, Lakewood sports two, with a third just across the bridge in Rocky River, as well as on-going classes at the YMCA and Harding Middle School. Marcia Camino’s new Pink Lotus was the fourth full-time studio in the area.

“Yoga has always been very hot on the coasts, since the 1960s,” she said. “It’s growing in the Midwest, and it makes sense in a community as diverse as Lakewood.”

Unlike studios that specialize in Vinyasa, a generally faster-paced workout, Pink Lotus tenders a wide range of the contemporary and traditional, including seldom-seen styles like Sivananda, which is what one of Pink Lotus’s students describes as yoga’s greatest hits.

“My studio offers styles geared towards fitness,” said Marcia. “But, we offer more, because faster-paced workouts are not available to everybody, like yoga that is breath-based, therapeutic, reflective, and, in the case of Chinese Yoga, something new to the Cleveland area.”

She cites a special love for Yin Yoga, created to benefit the body’s connective tissue and restore the range of movement lost to the conveniences and longer life of modern life.

Live on the floor, she laughs about Yin Yoga’s poses.

“We will be trying to bring to all we teach a sense of balance, happiness, and soul,” she said.

After months of planning, permits, and renovation, Pink Lotus opened in early December 2011. Like many another first-time business owner, Mrs. Camino had to overcome a series of obstacles, from raising necessary capital to finding the right plumber, babying her project day and night.

The solution to burning the midnight oil turned up right next-door at the European-style artisan bakery on the corner.

“Breadsmith is always in eyeshot,” she said. “I look out my windows and I’m thinking of hearth-baked crust when I should be thinking of my yoga.”

Man does not live by yoga alone. Bread is the staff of life. Sir Yeast a Lot to the rescue, because she must have bread!

Blending the personal and professional, Marcia Camino’s Pink Lotus is both a calling and a business, feeding the body, mind, and spirit. It’s bread and butter, simple, nutritious.

“I see many people who need yoga,” she said over a thick slice of Mediterranean Herb, sun-dried tomatoes and oil. “The practice saved my life. If it helped me, I think it can help anybody.”

Postscript:

After opening her yoga studio Marcia Camino commissioned a set of bike racks named Pink Yoga Dude and Yoga Dude Junior from local sculptor David Smith, one of her first students, who also says yoga practice “saved my life.”

Cyclists with yoga mats slung over their shoulders park at the racks in front of the studio. The public art form bike racks were installed as part of Lakewood’s Bike Master Plan. The city’s mayor and West End councilman attended the unveiling.

A version of this story appeared in the Lakewood Observer.

Ed Staskus posts feature stories on Red Island http://www.redislandpei.com, Paperback Yoga http://www.paperbackyoga.com, Lithuanian Journal http://www.lithuanianjournal.com, and State Route Two http://www.stateroutetwo.com. Click “Follow” on a site to get its monthly feature in your in-box.

 

 

 

 

Mad Dogs and Hot Yogis

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By Ed Staskus

After 30 years of flying under the radar, even though the practice is as old as living mindfully, yoga exercise began to steamroll in the early 2000s, and in recent years has skyrocketed in popularity. According to many surveys it was the biggest trend in the fitness industry in the past decade, remaining a firm Top 10, and will continue expanding through the 20-teens, says the American College of Sports Medicine in its year-end issue of the Health and Fitness Journal.

Media Market Research reports that yoga is gaining converts at a faster pace than most other traditional sports, appealing to a new, high-end demographic. The yoga industry is growing so fast it is expected to reach $8.3 billion in sales by 2016, according to Rebecca Moss of the Village Voice.

Hot yoga, a subset of the practice, has grown slowly but surely since its introduction on the west coast in the mid-1970s. Although yoga exercise is designed to warm the body from within, in the modern speed-it-up convenience society it has been re-purposed as expedient to warm the body from without.

It was once thought only mad dogs and Englishmen went out in the midday sun, meaning that natives of colonial India were often puzzled during the age of empire when their British overlords were out at lunchtime at the same time everyone else was indoors getting away from the heat. That is no longer the case. Hot yoga may today be the fastest-growing segment of the business, having spread far and wide beyond its L. A. coastal cool beginnings.

The hot yoga phenomenon began with Bikram Choudhury, winner of the National India Yoga contest at 13-years-old. He suffered a serious knee injury at age 17 and was told by doctors he would never walk again. He was subsequently healed through intense yoga therapy under the aegis of Bishnu Ghosh, the brother of Yogananda, author of the seminal ‘Autobiography of a Yogi’.

After leaving the sub-continent and immigrating to the United States he opened the Bikram Yoga College of India in the basement of a bank building in Beverly Hills.

Bikram Yoga claims that tens of millions practice his style of yoga at nearly a thousand studios on six continents. It is the only form of yoga ever copyrighted, practiced in a room heated to 105 degrees and 40% humidity, reaching a heat index in excess of 120. (The 10-year-old copyright was brought into question by the U. S. Copyright Office, which recently said that sequences of yoga exercise are not the equivalent of a choreographed work.)

The risk factor of a heat index in excess of 115 is considered by OSHA (Occupational Safety and Health Administration) to be “very high to extreme.” A common reaction to one’s first Bikram class is, “Man, this might be a mistake – I don’t think I’m going to make it.”

Bikram has been known to refer to his hot rooms as “torture chambers.”

Bikram Choudhury has reportedly taught his yoga to George Clooney, Kobe Bryant, and Lady Gaga, among others. He typically wears a black Speedo and special gold jewelry that won’t melt in the heat while teaching. He contends his regimen of 26 poses cures everything from arthritis to heart disease to obesity, and maybe even old age itself. The senior citizen yoga master recently took time out from his busy schedule for a photo opportunity featuring Las Vegas showgirls.

“I live in a pain-free body thanks to Bikram,” said Stacy Shea, a long-time Las Vegas Strip dancer who suffered a work-related crippling herniated disc and was confined to a sick bed before taking up Bikram Yoga.

“And I look 10 years younger!”

Hot yoga has become a staple at most studios in recent years, so much so that seemingly any yoga exercise practiced in a room with a working thermostat has become a hell of a workout. Based on the Ashtanga tradition, although usually not referencing any specific style or school, hot yoga typically involves moving from pose to pose in tandem with breathwork.

Moksha Yoga and Baptiste Power Yoga are among the better-known brands. The eponymous Baron Baptiste holds yoga retreats he describes as “boot camps.” Ana Forrest of Forrest Yoga weaves sweat lodges into what she calls her yoga ceremonies. Some hot yoga studios cite enhanced self-control and determination “due to the challenging environment” as benefits of the practice.

Hot yoga rooms are commonly heated in the 90s, Bikram rooms in the 100s, and advocates point to increased flexibility, toxin flushing, and a great cardiovascular workout as benefits of the practice.

Heat is said to soften muscle tissue, making it able to open and stretch. “A warm body is a flexible body,” says Bikram Yoga. “Then you can reshape the body any way you want.” Warmer room temperatures allow for deeper stretching and more graceful body movement, according to Anne Janku, a fitness and yoga instructor in Columbia, Missouri.

“It helps to heat the body up more so it becomes more fluid, and then when we get into the stretching part of it, it allows us to relax our muscles more,” she said.

But, heating the body up is not exactly what the body needs or wants, and brings with it certain consequences. “When you exercise, your muscles generate heat,” according to the Cleveland Clinic. “To keep from burning up, your body needs to get rid of that heat. The main way the body discards heat is through sweat. Lots of sweating reduces the body’s water level, and this loss of fluid affects normal bodily functions.”

Heat and humidity can add up to risky business, even for those in good shape. The hazards of exercising in hot rooms include heat cramps, the most common consequence, heat syncope, or a quick drop in blood pressure, heat exhaustion, leading to dizziness and weakness, and in extreme cases, heatstroke.

The best way to avoid these dangers is to drink plenty-and-more fluids with electrolytes, balancing out the water and salt lost through sweat. Many Bikram Yoga studios recommend drinking LOTS! of water, up to a gallon the day of class, followed by even more after class.

The intensity of hot yoga burns more calories than any other yoga practice, according to practitioners, some claiming upwards of 1000 calories per hour being burned through. Significant weight loss is often cited as a benefit. “Hot yoga is the most invigorating yoga I have experienced,” says Jillian Zacchia, a dancer and writer based in Montreal “After the 90-minute routine I feel as if I have just experienced an intense fat-burning workout.”

Bikram Yoga offers up testimonials of metabolisms made new and hundreds of pounds shed. Warm muscles are said to burn fat more easily as the heat flushes and detoxifies the body. Fat will turn into muscle is the hot yoga mantra.

However, according to the Health Status calorie counter, hot power yoga burns 594 calories an hour, followed by Bikram Yoga at 477 calories an hour. By contrast, ballroom dancing burns approximately 250 calories an hour, while running a 10K in under an hour burns approximately 1000 calories, according to the Mayo Clinic.

“The benefits are largely perceptual,” said Dr. Cedric Bryant, the chief science officer of the American Council on Exercise. “People think the degree of sweat is the quality of the workout, but that’s not reality. It doesn’t correlate to burning more calories.”

Sweat is not always a precise gauge of how effective a workout is.

Proponents of hot yoga argue that working harder in a heated and humidified room strengthens the body, resulting in greater endurance, internal organ conditioning, and a stronger heart because of the heart being challenged to get oxygen to the stressed cells of the body.

“You know that awesome feeling of accomplishment you get after a great cardio workout? It feels like that,” said yoga instructor and National Academy of Sports Medicine Elite Trainer Michelle Carlson “It’s more centered and grounded. It’s a feeling close to elation.”

Many believe it works every part of the body, including muscles, joints, glands, and even internal organs. “It is scientifically designed to warm, stretch, strengthen, and detoxify the body from the inside out,” said Erin Cook, owner of Bikram Yoga in Berwyn, Pennsylvania. She added that the rewards include better sleep, more energy, and less stress.

But, not everyone agrees that it is the best of all possible workouts.

“You may think it’s purifying and cleansing, but you have to respect the physiology of the body,” said Fabio Comana, an exercise physiologist with the American Council on Exercise. “The human body is designed to tolerate temperatures between 97 and 100 degrees,” he said, speaking about the extreme heat associated with hot yoga. “It is not designed to go outside those numbers. Core temperature can go up very quickly. Over 105 degrees you will start to damage protein.”

Some enthusiasts disagree.

“Bikram started hot yoga here in the United States because in Bengal it is typically 114 degrees in the shade,” said Nicole Garbani-Twitchell, owner of Hot Yoga in Helena, Montana. “It is silly and just plain scientifically incorrect to say that practicing in a hot room overheats the external body.”

But, yoga in India was traditionally and still is practiced in the early morning to avoid the heat of the day.

Multiple studies have shown that exercising in a hot room compromises the release and uptake of calcium as well as normal muscle function, and decreases blood and plasma volume. “The body uses more muscle glycogen and fewer ingested carbohydrates during exercise in a hearted environment compared to a cooler environment,” said Shy Sayar, owner of Yoga One in Petaluma, California. Heat stress reduces the oxidation of carbohydrates, according to the Journal of Applied Physiology.

Yoga exercise and heat increase core body temperatures. To cool itself the body circulates more blood through the skin. “This leaves less blood for your muscles” says the Mayo Clinic, which in turn increases the heart rate. “If the humidity is also high, your body faces added stress because sweat doesn’t readily evaporate from your skin. That pushes your body temperature even higher.”

For every degree your body’s internal temperature goes up, your heart beats about 10 beats per minute faster. Many hot yoga proponents believe that exercising in the heat burns more calories because their hearts are beating faster as they exercise. However, it is not the case. “It is oxygen uptake that determines the number of calories burned, not heart rate,” says Craig Crandall, director of the Thermoregulation Laboratory at the University of Texas Southwestern Medical Center at Dallas.

Many doctors and fitness experts believe a brisk walk or bicycle ride are best for anyone wanting to burn calories. The next best are interval training and strength training. Going from flab-to-fab is about burning more calories than you take in, not sweating more to cool the burn in the hot room.

Bikram Yoga proclaims itself as the detox practice extraordinaire since it induces profuse sweating. It says, “When you sweat, impurities are flushed out of the body through the skin.” Detoxification is often the most touted benefit of the practice, said to “cleanse and purify the system.”

Writing in the Underground Health Reporter, Danica Collins reported, “the intense heat has an extraordinary ability to open the pores and expel body waste and foreign chemicals through heat.” Some believe that the skin is a so-called third kidney with overall waste removal capacity.

“That’s silliness,” says Craig Crandall of the Thermoregulation Laboratory. “I don’t know of any toxins that are released through sweat.“

Sweating is a way for the body to cool itself off, not purge itself of impurities. It is the liver and kidneys that filter toxins from the blood. Sweating too much and becoming dehydrated could stress the kidneys and actually keep them from doing their job.

A persistent problem linked to exercising in hot rooms is potential damage to connective tissue, especially ligaments and tendons, and including muscles. “Heat increases one’s metabolic rate, and by warming you up, it allows you to stretch more, but once you stretch a muscle beyond 20 or 25 percent of its resting length, you begin to damage a muscle,” said Dr. Robert Gotlin, director of orthopedic and sports rehabilitation at the Beth Israel Medical Center in Manhattan.

Sore or arthritic joints, like the back, hips, and knees, can be aggravated if torqued too much in even easy poses. Seated poses can inflame sciatica. More is not always better when it comes to joints. Those with more mobility are often in the same boat as those with limited mobility, teetering on their own private edge of flexibility, which can lead to inflammation.

“The heat makes people feel as if they can stretch deeper into poses and can give them a false sense of flexibility,” said Diana Zotos, a yoga teacher and physical therapist at the Hospital for Special Surgery in Manhattan. “This can lead to muscle strains or damage to the joint, including ligaments and cartilage.”

The Golden Rules of yoga, the restraints and observances, apply to environmental issues in the same way as they apply to everything else.

A collateral concern about hot yoga is the amount of energy it consumes to heat up space for the practice. It is a carbon heavy business. A busy hot yoga studio will be heated to upwards of 100 degrees 4 – 8 hours a day. It requires 9800 BTU’s (British Thermal Units) to heat a 1000 square-foot space with 8-foot ceilings to 68 degrees. It requires 15,200 BTU’s to heat the same space to 105 degrees, not counting the energy needed to humidify it if it is a Bikram Yoga class.

In addition, water conservation gets thrown down the drain.

Everyone who takes a hot yoga class showers afterwards, if only for the sake of their friends and family, either at the studio or at home, even if they already showered in the morning. A hot yoga studio can easily service hundreds a day. One hundred people showering for 5 to 10 minutes means 3 – 5000 gallons of water are used. Fortunately for the sake of energy savings, given what they have been through, some elect to take cold showers.

If classic yoga is like driving a Prius, hot yoga is like driving a Hummer, although in the spirit of combating climate change some yogis bicycle to their hot yoga classes.

Whatever the case may be, whether it’s a practice for mad dogs or a practice for everyone from professional athletes to weekend warriors, the guiding principle behind hot yoga may not be anything Patanjali ever said. He defined yoga exercise as a “steady and comfortable posture or position”. It might have much more to do with what the Courts of England oftentimes said in the colonial era to resolve competing claims.

Caveat emptor.

Ed Staskus posts feature stories on Red Island http://www.redislandpei.com, Paperback Yoga http://www.paperbackyoga.com, Lithuanian Journal http://www.lithuanianjournal.com, and State Route Two http://www.stateroutetwo.com. Click “Follow” on a site to get its monthly feature in your in-box.

 

 

 

Lusty Lulu (Lemon)

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By Ed Staskus

Once a month for the past five or six years I have been getting in the mail and thumbing through Yoga Journal magazine. I used to read it more than I do now, but then again, they used to have more writing in it than they do now. Nowadays, I read Sally Kempton or Tim McCall, if they happen to be in the magazine, dip into the asana photo spreads, nibble on the mini-reviews in the back, and, of course, spend most of my time on the meat-and-potatoes of the magazine: the advertisements.

I usually start with the inside cover of must-have merchandise like “karmalicious” shoes recommended as “super comfortable” and endorsed by “global yoga teachers” and then flip to the ubiquitous Hard Tail two-page spread, featuring young women in incredibly difficult upside-down poses. They never fail to look terrific and I am invariably impressed by their poise, balance, strength, and, well, hard tails, although the red star logo, which I associate with Communism, and the Hard Tail slogan of ‘Forever’ confuse me.

The yoga project has always seemed, at least to me, to be apolitical and focused on the here-and-now, gainsaying the permanent and not involved in the puzzling foreverness of fashion.

The rest of the magazine, slightly more than half of its hundred-or-so pages, is a bevy of ads: Alive supplements for “a lot more”; Re-Body weight loss supplements for “achieving your goals”; the “earth-friendly” Jade yoga mat; Norwegian Gold Omega supplements for when “you just want it all”; the Subaru station wagon which is “a whole lot to love”; Move Free supplements so that nothing “gets in the way of what moves you”; and lastly Ultimate Flora Critical Care supplements featuring a woman sitting cross-legged and meditating, her belly non-constipated, non-gaseous, and non-bloated.

The June 2013 issue of Yoga Journal delivered a special treat: a new back cover Lululemon advertisement designed by a team of marketing gurus and sold to the advertising gurus at the mass-circulation yoga magazine featuring an upside-down pole dancer, lurid purple lighting, and a pitch for the new Lululemon ‘om finder’ in the App Store.

I had recently been wondering about my own om, which was sounding scratchy, and was grateful for the new app, being hyped on Lululemon’s community page as “majorly exciting news for you”.

But, it turned out the ‘om finder’ was designed for another purpose.

Lululemon Athletica, for those not in the know, is a multi-billion dollar athletic apparel retailer, especially yoga apparel. In its own words, it is a company “where dreams come to fruition”. One of the slogans prominent in its manifesto is: “Friends are more important than money”.

In the same breath, however, most of Lululemon’s apparel is manufactured in third-world countries at the behest of the company’s founder, Chip Wilson, who believes, according to a speech he made at a conference of the Business Alliance of Local Living Economies in Vancouver, British Columbia, that third-world children should be encouraged to work in factories because it provides them with much-needed wages.

Charles Dickens would probably be rolling over in his grave if he knew.

At the same time Lululemon’s CEO Christine Day explains the company’s in-store philosophy of purposefully keeping inventories low in order to drive demand for its one hundred dollar yoga pants by saying: “Our guests know that there’s a limited supply, and it creates these fanatical shoppers.”

Employees are trained to eavesdrop on customers, according to The Wall Street Journal.

What were dynamic and clever constructs of the new Lululemon pitch, besides the scantily clad pole dancer, of course, were the optical center of the ad, and the text, a quote from a famous yoga teacher who is, as well, an “Elite Lululemon Ambassador”. The optical center of print advertisements, according to the Ogilvy Method, should always be one-third of the way down the page for maximum impact. The pole dancer’s butt is exactly one-third of the way down the page. The ad copy parallel with the pole dancer’s butt is a blurb by Chris Chavez, described as an “International yoga teacher and owner of Cihangir Yoga, Istanbul”, who said: “James! Hug your thighs together like a pole dancer.”

“He didn’t say “James! Hug your thighs together like Shiva Rea” or “James! Hug your thighs together like Jason Crandell”. Both of them are well-known yoga teachers. Opening the practice up to the brave new world of 21st century yoga he evoked the pseudo eroticism of pole dancing. Maybe other witty similes might find their way into yoga jargon, such as, “James! Bend your knee like a lunging swordsman in that Warrior Pose” and “James! Keep your drishti focused like a sniper with his sights on the Taliban”.

But, there is something not right about the back cover ad, because in the picture the pole dancer is not hugging her thighs together. One leg is stretched out straight in line with her torso and the other leg is crossed over the straight leg just above the knee. She is probably squeezing her butt to stay stuck to the pole, but she not hugging her thighs together. Either the pole dancer was misinformed about what pole-dancing move to make, or the marketing gurus were misinformed about what pole-dancing move was actually being portrayed in the photo shoot.

It is an unfortunate miscommunication, but for the sake of Lululemon’s bottom line it is a mistake we might all be willing to forgive.

Pole dancing, for those who practice yoga more than they frequent strip clubs, is a form of striptease in which go-go and lap dancing are actually the predominant parts of the performance. Strip club pole dancers often simply hold the pole and move around it without performing acrobatics. One of the most popular pole dancing schools in the world is Las Vegas’s Stripper 101, where “friendly instructors will teach you sexy strip club moves such as pole dancing, lap dancing, and striptease. Learn every seductive step to help you go from shy to OH MY!”

The earliest recorded pole dance, swinging sensually around a hollow steel pole wearing a bikini and six-inch stilettos, was in 1968, performed by Belle Jangles at the Mugwump men’s club in Oregon. A form of pole dancing had moved into strip clubs in the 1950s as burlesque became more accepted, but it was in the 1980s, especially in Canada, that it became popular. Canada is also, by sheer coincidence, the home of Lululemon.

Lululemon’s use of pole dancing in its Yoga Journal ad is a trope of advertising, namely that sex sells. Sex is an instinct and from the point-of-view of marketing has powerful biological and emotional effects on the viewer. Sex cuts through the mass of today’s ads and viewers generally spend a longer time looking at those ads that feature a substantial dose of it.

Why would Lululemon employ cheesecake to sell its yoga apparel, and by extension, referencing its placement in Yoga Journal, the practice of yoga itself?

The reason is that advertisers have used it to sell goods and services since advertising became what it is in our age. The earliest known use of sex in modern advertising parlance was by the Pearl Tobacco Company, which in 1871 featured a naked woman on its package cover. Although it doesn’t seem like there would be anywhere to go from there, in the past twenty years the use of increasingly explicit sexual imagery in print ads has become almost commonplace.

Maybe Lululemon knows more than it is letting on. Maybe it is tapping into the so-called “new burlesque”, which has been popping up from Los Angeles to New York City, although the old burlesque has never really left Coney Island. At posh clubs like Box ringside tables start at fifteen hundred dollars. In its own way Lululemon also knows how to fully maximize profits, selling forty eight dollar ‘Namaste’ mesh totes and one hundred and twenty eight dollar ‘Vinyasa’ canvas bags.

Some have said that the new burlesque is a feminist enterprise in which women can “enjoy their sexuality and take pride in their bodies,” writes Joan Acocella in a recent issue of The New Yorker. Lululemon’s implicit coding throughout much of its marketing references the same mantra.

It is possible that despite the lurid purple coloring, the spotlight on the pole dancer’s butt, the silhouetting of her body, and the reference to thighs instead of legs, that the Lululemon advertisement is really referencing pole acrobatics as an athletic form of dance.

Pole acrobatics can be traced back eight hundred years to India, where it was a sport for men. In China troupes of men used two poles to perform artistic gravity-defying tricks high off the ground. Internationally known Chinese circuses often incorporate poles in their acts. In the past twenty years pole acrobatics has emerged as a recreational and competitive sport, and there is even a campaign to include it in the 2016 Olympics.

It might also be said that purple symbolizes magic and mystery, as well as royalty. Purple is often seen as the color of people seeking spiritual fulfillment. It is thought if you surround yourself with purple you will have peace of mind and that purple is a good color to use in meditation. But, belying those presumptions is the fact that purple puts all fifty shades of gray to shame when it comes to sexy colors. In a recent survey of 2000 adults by online retailer Littlewoods, couples with purple-themed bedrooms had sex more often than anyone else, even ahead of those who preferred red.

It is possible that the signifiers in the advertisement are entirely different from its meaning.

It is possible, but I doubt it.

Whatever the case may be, whether Lululemon was using sex to sell its apparel, and whether Yoga Journal was kowtowing to one of its biggest advertisers, is beside the point. Yoga in the 21st century, from snappy apparel to studios in the best suburbs, from celebrity teachers to Caribbean retreats, from Bikram Choudhury’s fleet of Rolls Royce’s to Kripalu’s three hundred dollar-a-day “private lakeside“ rooms, is all about business. One of the oldest maxims in business is that sex sells, and if sales are the aim, then sex becomes another form of grist for the mill.

But, what is not just schlock about the Yoga Journal advertisement, but rather a reminder that consciousness depends on being conscious, is the disturbing tagline in the bottom right-hand corner, below the Lululemon logo: “When your teacher says it, it just makes sense.”

The proposition that teachers, whether they are newly hatched 200-hour graduates or international stars like Mr. Chavez, are nonpareil about all things yogic and should be followed unquestioningly is both cynical and devious. It is cynical because the proposition that no teacher, from the part-timer at the corner yoga studio to the superstars at national conferences, can ever err is ludicrous. It is devious because all teachers from part-timers to full-timers will and do err, and to offer it up as gospel otherwise is to offer up a gospel of deceit.

There are yoga teachers who walk, sleek and graceful as otters, as though a full-length mirror were being carried in front of them, but to follow in their wake unquestioningly is to compound the problem. To believe everything a yoga teacher says will always make sense makes no sense at all. The sense that stands on and appeals to authority is not always necessarily what it proclaims itself to be. More than two thousand years ago the Roman political theorist Cicero said, “The authority of those who teach is often an obstacle to those who want to learn.”

Yoga is rife with teachers behaving badly. From Swami Muktananda to John Friend is a long litany of sexual indiscretion and even financial misconduct. In the mid-1990s the issue of sex in yoga studios became such a concern that the California Yoga Teachers Association called for higher standards. “We wrote the code,” said Judith Hanson Lasater, the group’s president, “because there were so many violations going on. It’s happened from the highest-level gurus in India to multiple generations of yoga teachers in the United States. It’s so common as to be beyond a cliché. Some of what these teachers are doing, they should be in jail for.”

Swami Muktananda, who died in 1982, was a hugely popular guru who at the height of his popularity had more than 70,000 followers worldwide, including Melanie Griffith, Diana Ross, and Don Johnson of Miami Vice fame. He claimed to have achieved sainthood and become so enlightened he was “perfect” and absolutely free of human weakness. Human weaknesses in his guru book of do’s-and-don’ts did not include sexual liaisons with a parade of young girls at his ashram nor his secret Swiss bank accounts. Joan Bridges, one of his students, was 26-years-old when she was sexually abused by Swami Muktananda, who was 73 at the time.

“I was both thrilled and confused,” she said. “He told us to be celibate, so how could this be sexual? I had no answers.”

In 1994 the Kripalu Center imploded when Amrit Desai, its saffron robed founder and ‘Spiritual Director’, was found out to have had multiple extra-marital affairs. “He was too often a teacher who was too charming for his own good,” writes Stephen Cope in his book Yoga and the Quest for the True Self. Desai, who had preached about the value of celibacy as a way to focus on yoga, was forced to resign his $150,000.00 a year spiritual directorship. “My first reaction was shock,” said Jonathan Foust, who was the public relations director at Kripalu at the time, and who had been celibate for what he described as six “difficult” years before marrying.

“I felt betrayed because celibacy is no easy practice.”

John Friend’s Anusara Yoga, one of the world’s fastest-growing styles, collapsed in 2012 when its jet-setting founder and guiding light was accused of sexual improprieties and financial malfeasance. At the time Anusara was an international practice that claimed more than 1,500 teachers and 600,000 students. “It was a new thing,” said Joe Miller, owner of Willow Street Yoga in Silver Spring, Maryland. “It was yoga rock-stardom.” Although often sermonizing at yoga festivals about the value of relationships and the importance of trust, it was revealed that John Friend had engaged in drug use, had sexual relations with students, employees, and married women, and tampered with his company’s pension fund.

Just because a yoga teacher says let’s go pole dancing on the shores of the lagoon of bliss doesn’t make it right. And, parenthetically, just because the apparel behemoth Lululemon, trying to sell its trove of see-through yoga pants before being forced to recall them, says that see-through yoga pants are appropriate attire for practicing down dog, doesn’t make trying to unload them right, either.

“The ultimate authority must always rest with the individual’s own reason and critical analysis,” the Dalai Lama has said. Unless, of course, it is easier to be guided by the pleasant platitudes of teachers like Swami Muktananda, Amrit Desai, and John Friend.

But, it is absurd that a man should rule others who cannot rule himself. Leadership is partly about meeting moral challenges, partly about coalescing people around a shared vision, and mostly about being clear and courageous.

“The supreme quality of leadership is integrity,” said Dwight Eisenhower, Commander of the Allied Army during World War II and two-time President of the United States.

The environments and social milieus we live in shape us, just as the leaders we choose to follow shape us, for we become like them. One of the tests of integrity is its refusal to be compromised, its refusal to consider the bottom line, to meditate on profits before probity.

“Don’t follow leaders, watch the parking meters,” Bob Dylan warned in the song Subterranean Homesick Blues. When Lululemon weds pole dancing to yoga in order to sell its perky fitness apparel made for pennies on the dollar in third world countries, and Yoga Journal lends its hand to the tawdry enterprise, it may indeed be time to watch the parking meters and not follow leaders who are bleeding the meters dry.

Ed Staskus posts feature stories on Red Island http://www.redislandpei.com, Paperback Yoga http://www.paperbackyoga.com, Lithuanian Journal http://www.lithuanianjournal.com, and State Route Two http://www.stateroutetwo.com. Click “Follow” on a site to get its monthly feature in your in-box.

 

 

 

The 4th OM

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By Ed Staskus

The biggest and brightest OM I know is the OM Kristen Zarzycki begins and ends her ‘Follow the Yogi’ class with at Inner Bliss on Sunday afternoons, joined by many if not everybody in what is usually the biggest and most popular class of the week. Kirby is a young teacher with an OM voice like an ocean liner steaming into port through a thick fog. The first time I heard her I realized what the talk about the sound of OM being a primordial vibration was all about.

I could feel the vibration in the room and I wasn’t even chanting.

I began thinking about yoga in my early fifties, when decades-long issues with arthritis had advanced so my knees and hips either hurt all the time or really hurt all the time. At first, I tried yoga at home, checking out videotapes about one practice and another, checking them out from our local library. I even bought a purple sticky mat. After a year I felt stalemated, as though I had no idea what I knew. I was aware of yoga studios and thought professional instruction a good idea. But, I was reluctant to go because of my impression yoga classes were chock-full of lissome young women and the certainty I would look like an oaf.

One afternoon towards the end of summer, at the counter of our company’s lunchroom, while waiting for our marketing director Maria Kellem to make tea, yoga somehow came up as we talked. I was surprised to find out she not only practiced, but taught yoga part-time, as well. For the next several months she never tired of leaning into my cubicle and encouraging me to take a class.

I finally did, partly to appease her, partly because I didn’t see any other way to learn more, but mostly just to do it, at least once. From the end of my first novice class on a dark and wet October morning, slapping my hand to my temple in the car as I drove away, surprised it had taken me so long, I was attracted to the practice, simply because I felt surprisingly good afterwards.

The first two years I practiced was at a once-a-week beginner’s class, to which I eventually added a second evening class. Although my focus was on the physical postures, I began to notice our classes often began with a homily and a chant, usually OM. Preferring my own uneasy grown-up postmodern skepticism, I ignored the spiritual advice. I was drawn to the chanting, but when I participated, which wasn’t often, it was with a small uncertain voice from the back of the room.

After another year of moderate flow under my belt, I started taking on more physically challenging classes, time-distorting vinyasa practices with unnerving names like ‘Hot Power Yoga Challenge’. One evening near the end of an especially hard class, at least for me, after our teacher reminded us yet again to breathe with mindfulness, I asked her if it was the same as breathing desperately.

She was kind enough to say it was.

As the year wore on I began to buy into the spirit of yoga, reading about its principles and way of life, and listening to our teachers with a newfound openness. I took a workshop about meditation and another about the chakras – to which I reacted at the time with both incredulity and admiration for the teacher who tried with all her might, I thought, to explain the fantastic and unexplainable. I was even chanting OM more often, but still with a dry small pinched voice.

When I began to OM with more than less frankness was at the end of the first class Kimberly Payne taught at Inner Bliss, the yoga studio in Rocky River, Ohio, where I had started and where I still often practiced. By then I was emboldened by what I knew, which later turned out to be less than I thought, to try new kinds of classes, like Kundalini, and diverse teachers. Kim Payne’s class, a different kind of powerful flow, turned out to be more than I bargained for.

On the way to the studio that evening, gathering storm clouds darkened my rearview mirror as I crossed the beam bridge over the heavily forested Rocky River valley. A red-orange light from the sun setting over Lake Erie slanted between the houses across the street onto the black asphalt parking lot as I walked to the two-story loft-style brick building, the studio being on the second floor. Inside, I unrolled my mat, facing across the wide room towards the dusk. As we started our practice I was quickly thrown off balance by the unfamiliar sequence and difficulty of the asanas.

Then the noise started.

First one and then another double-stacked freight train rumbled past on the CSX tracks on the abutment behind the building towards downtown Cleveland. At both public grade crossings – one block to the west and four blocks the other way – the diesel’s compressed air horns let loose blasts of 15-second warnings.

Next the two men working late at Mason’s Auto Body next door started cutting sheet metal with what sounded like a gigantic Sawzall, a high-pitched gnashing pouring in through the closed windows as though they were not closed at all.

No sooner had they finished than the wind rain deluge started, a gusting thunderstorm that lasted through an interminable series of unsettling balancing poses and to the end of class.

Coming out of corpse pose I suddenly noticed the studio was quiet, the factory-style windows no longer lashed by rain. We sat cross-legged in the dark, and chanted three long, slow OM’s, the asanas all done and the noise, too, and the only thing mattering just then and there being the chant. Our voices echoed in the still damp air when we finished.

It was the first time I practiced OM with sincerity.

The loudest OM I ever heard was the OM Kristen Zarzycki’s class chanted for her the Sunday before she ran her first marathon. In Chicago. In the tropics on Lake Michigan.

Kristen describes her flow classes as “funky and challenging.” Challenging they are, so much so I nicknamed her Kirby, after Jack Kirby, the Marvel Comics artist who created Sgt. Fury, the snarling but tenderhearted NCO who led the First Attack Squad the “Howling Commandos” in the short-lived 1960’s comic book series. Although a head shorter than the cigar-chomping bandoleer-draped Sgt. Fury, she seamlessly morphs him as she leads –and herself practices – her ‘Follow the Yogi’ class centering on core asanas, for what she insists is our own good, and watches out so we all survive her ruthless boot camp approach.

At the close of her classes Kristen invites everyone to a “big and huge” OM to seal the practice. That Sunday someone impulsively interrupted and said, “Let’s chant for Kristen running the marathon next week.“

So prompted the whole class did. The OM was loud and long and heartfelt. The chant was so long I almost ran out of breath. Kristen seemed flushed with emotion when we were finally done.

The next Sunday she ran in record-setting heat and smothering humidity. More than ten thousand of thirty five thousand participants dropped out, hundreds more were treated by medical teams, and the organizers tried to shut down the course twenty-one miles into the event. Kristen was one of the runners who finished, and sometimes I think what kept her safe and sound was the big and huge OM we chanted for her.

The car repair OM incident happened on a clear mid-summer evening as we sat cross-legged at Inner Bliss, palms together, thumbs at the heart center, at the tail end of Tammy Lyons’s hot flow class. The casement windows overlooking the flat roof and cords of firewood stacked against the yellow outside wall of Mason’s Auto Body were tilted open, and I could sense a breeze. We chanted OM once, breathed in, and chanted OM a second time.

“There they go again,” said a body shop man unseen below us somewhere beside the umbrella table between our two buildings, more than loud enough to be heard throughout the studio.

“Whatever floats your boat,” a second man said.

Tammy Lyons paused, and paused again. She has the patience of a mother of two small boys and the forbearance of a small-business owner – namely the yoga studio – yet when she paused I glanced warily at the windows. Then we chanted OM a third time. The class over she thanked the twenty-or-so of us for coming, told us it was privilege to share her practice with us, and updated everyone on the studio’s schedule.

Then said in a clear, firm voice more than clear firm loud enough to be heard outside, “Yes, it does float our boats.”

Later that night, nursing a bottle of beer in my backyard beneath the Milky Way obscured by the city’s lights, I thought about the sarcastic guys at Mason’s. They weren’t really all that different from Tammy Lyons, although maybe they thought they were. Just like she worked on our bodies by leading us in asana sequences, they worked on the bodies of automobiles.

Cars like SUV’s and bodies like ourselves are not only uniquely themselves, but they are vessels as well. Practicing yoga exercises is like taking care of your body in the same way a skilled mechanic will take care of a car, both with the same idea in mind – so our bodies and our cars will be better able to take us where we want to go, whether it’s to a meditation practice or Disneyland.

But, if the body shop men were indeed different, maybe it was because they didn’t know where they were going.

The 4th OM unfolded on a quiet April Sunday when Max Strom, an itinerant yoga teacher, came to Inner Bliss. Neither the workshop nor he was what I expected, even though I couldn’t have said what I expected. Dressed all in black with a grayish ponytail and a gregarious manner, Max Strom was built more like a football player than a tightrope walker. Other than a few warm-up exercises and moving around now-and-then, we sat on our mats and he devoted most of the sold-out two-hour workshop to breathing, both explaining his ideas about it and leading us in exercises of it.

He seemed to think asanas alone were inadequate as a way of making a kind of spiritual connection, which he defined as the goal of yoga. He thought asana practice could and did serve a purpose, but to arrive at some meaning beyond simple exercise the next step was to connect with one’s breath.

He said yoga appeared to be primarily physical, but that it wasn’t. Rather, it was a practice meant to harmonize the body and the mind, our inner body, which he formulated as mental focus and intention, and breath, which he further defined as emotional focus and concentration on spirit, or the divine.

We practiced lots and lots of breathing exercises, breathing fast and breathing slow, holding our inhales and then our exhales, alternate nostril breathing, bellows breath and breath of fire, and long slow breathing until even sitting cross-legged for all that time became less and less distressing, even restful. Mr. Strom instructed us to breathe into the heart center, to breathe in the present and breathe out the past.

After a break, when we were all back on our mats, he unfurled a 10-minute OM. He explained we were to all start together, but as we finished an OM to go on to the next one, not waiting for the others in class. He said in a minute or so we would all be intoning separately, but it would in the long run resolve itself into a single continuous chant, which is exactly what happened.

It turned into a long rolling resonant OM.

As we chanted I found myself subsumed by the sound, and then midway through the OM’s I suddenly had a distinct feeling of emptiness within me, from the sacrum to the collarbone. It wasn’t that I felt full of hunger or filled with yearning; I just felt empty. As we chanted it seemed my body was like a hollow shell lit up from within by a bright but diffused light.

I was conscious that the quiet, bright emptiness was only a feeling, that my heart was beating slowly and I was breathing rhythmically, but for all that it was a remarkable sensation. I didn’t feel better, or worse, I just felt light and lit up. It was an experience that lasted about a minute.

Max Strom’s message to us at the end of class was to breathe with intention, and he sent us on the way with a simple namaste and hearty endorsement for his new DVD being sold in the lobby.

Since then I have not again felt the interesting bright emptiness I did during his workshop, but as a result of it have added a little breath training and meditation to my at-home practice. What has surprised me is the patience it takes to learn to sit quietly, not thinking of nothing or something or anything, and breathe mindfully.

What hasn’t surprised me is what I still don’t know about yoga, even the simplest things like chanting the simple sound of OM.

A version of this story appeared in Integral Yoga Magazine.

Ed Staskus posts feature stories on Red Island http://www.redislandpei.com, Paperback Yoga http://www.paperbackyoga.com, Lithuanian Journal http://www.lithuanianjournal.com, and State Route Two http://www.stateroutetwo.com. Click “Follow” on a site to get its monthly feature in your in-box.